PK: That’s the real beauty of doing comedy—we don’t have to do any research or verify that anything is actually real; we can always just make it up. When people say, “That never really happened,” we can say “Yeah, well, this is comedy.” It’s definitely one of the perks.

DB: On that note, what’s funny about it is that we didn’t do any real research—we just made it up as we thought it would be—and people came up to us and said, “Oh my God, it’s just like that.”

Brian Sacca: So, basically, we just instinctually knew how fact checkers work and we nailed it.

I have to say, as somebody who wrote a book that has a couple of chapters dedicated to fact checkers and fact checking, there were a couple things where I was like, “Hey, that’s pretty good.” One was the tension between the writers and the checkers. Is that one of the things you’ve heard about?

BS: We’ve all heard stories and fact checkers that have talked to us about it have said that tension is real. You can just image that it would be real with any kind of creative situation when someone is getting in the way of a writer’s writing process … I also think there is something relevant when you’re talking about tension with writers and fact checkers now with all the blogging going on. There must be even more tension between fact checkers and bloggers because bloggers can just write whatever they want.

I would have to image some of the guest stars that you approached had also dealt with a checker when a profile was written about them. Did you ever have any conversations with any of the guest stars about their experiences with checkers?

DB: They just came in and were very game to come in and play along. But none of us brought that up that I’m aware of.

PK: When we originally wrote a short for Pauley Perrette I think we had it in there that her hair was naturally black, and the checkers were verifying that she didn’t dye it. But she said, “Well, my hair is naturally blonde so I don’t really understand where you guys are coming from.” We hadn’t checked our facts. So we changed the script.

BS: In a similar vein, working with Alex Trebek we were talking about facts with him constantly and talking about the show, about Jeopardy!, and … at one point we asked him something and he had the answer and we said, “Mr. Trebek, is there anything you don’t know?” He responded with, “What I don’t know is not worth knowing.” It was so good that we put it in the show.

I’m going to give you a couple of facts about real fact checkers and I want you to decide if they’re true or not …. So, do they fact check cartoons at The New Yorker?

BS: No. I’m gong to say no because some of those captions are ridiculous.

DB: I’m going to say no as well.

PK: I gotta go no with this one but, again, Russel and Dylan would fact check a caption or a photo in heartbeat.

I’m sorry to say you’re all wrong—they in fact do fact check the cartoons at The New Yorker.

DB: Are you serious?

Yes, if you are citing a company name in a caption or draw the White House, you better have the right number of pillars for the White House and have spelled the company name correctly. Last question, this is a piece of trivia: What famous American novel that was later made into a film starring Michael J. Fox had a…

DB: Bright Lights, Big City—boom!

That’s right! Bright Lights, Big City had a magazine fact checker as a main character.

DB: A cocaine-addled fact checker at that.

Correct … Is there anything you’ve learned about fact checking that we haven’t talked about?

Craig Silverman is the editor of and the author of Regret The Error: How Media Mistakes Pollute the Press and Imperil Free Speech. He is also the editorial director of and a columnist for the Toronto Star.