Pacific Standard has had an exciting January. It’s been the magazine’s biggest traffic month ever, on track to hit 1.25 million uniques. Half of those people came to read two very different stories, one on online harassment, the other on artisanal toast and schizoaffective disorder, the success of which is all the more gratifying for a small shop located on the edge of the media world—Santa Barbara, CA.
In most industries, being based in a small, livable city where flowers bloom year-round, the Pacific Ocean is steps to the west, and forested mountains stand just to the east wouldn’t be a problem at all. In the media, it’s a challenge. Editorially ambitious Californians might lament that there’s no New Yorker of the West while they shiver through snowy commutes to DC and Manhattan offices, but thought-leader magazines get published on the East Coast, and that’s that.
But in 2007, in Santa Barbara, the academic publisher Sara Miller McCune founded the Miller-McCune Center for Research, Media and Public Policy, with the idea that it would be a worthwhile endeavor to publish a magazine rooted in academic research but legible to lay readers. She hired John Mecklin, then the editor of the High Country News, to come out to Santa Barbara, and the first issue of Miller-McCune was published six months later.
In the bimonthly magazine’s first two years, Miller-McCune’s small staff amassed both awards and an enthusiastic audience, but smart media commentators were only just starting to notice. In April of 2010, the Knight Science Journalism Tracker’s Charlie Petit praised the magazine for its “well-crafted, deep” reporting while admitting he’d heard of it but “only now checked it out.” The Los Angeles Times ran a feature that June calling Miller-McCune “virtually unknown to the general public.” In October, the Atlantic’s James Fallows—an early supporter—gave it a cheeky nomination for “publication consistently doing a better job than most people realize.”
In 2011, Mecklin stepped down, and Maria Streshinsky, who had been managing editor of The Atlantic, took over. In April of 2012, the magazine relaunched with, Streshinsky says, “some excitement and some caution,” about its new name, Pacific Standard, one which emphasized the magazine’s Best Coast bona fides and explicitly aimed to bring the magazine’s “Western perspective to the media landscape.”
“I didn’t want to totally geographically locate us, and that’s the challenge of the name,” Streshinsky says. “We wanted to establish that there are really interesting stories coming out all sorts of places, and we cover the whole world. But that we sit out here with a perspective from the West.”
On the internet, nobody knows you’re a dog or a robot or a West Coast-based bimonthly magazine. But that doesn’t mean that good work necessarily gets the recognition it deserves. That takes time, focus, and the resources to support those goals.
From the outset, all but a tiny fraction of Pacific Standard’s funding came from Sage Publications, the publishing house that Sara Miller founded in 1965, a year before she moved the company to California and married George McCune. In 2008, according to the Miller-McCune Center’s tax documents, the publishing house provided $2.23 million of the center’s $2.27 million in revenue.
In the six years since, the budget has crept up and is now “just at $3 million,” according to Streshinsky. When I ask her about other revenue, she says, first, “We don’t have any other revenue,” and then catches herself. “That’s not true,” she added. “We have newsstand revenue and subscription revenue”—and, increasingly, revenue from the website. But those small streams of money do not begin to cover the costs of producing the publication. (In 2010, for example, the Miller-McCune Center’s main activity was publishing Miller-McCune and “program revenue”—which includes magazine sales—was just over $47,500, less than 2 percent of the overall budget.)