TH: I wanted something that was sort of hip and cool, a downtown sensibility. The pinup is such a throwback and something about the palette needed to push it into the present and beyond. On one hand we got the pose—a quote from a bygone century—now we need the color to create the paradox and say, in a way, here is this modern person doing something totally cheeky. Using dark reds and blacks, in a very limited way, I thought would evoke colors of a tattoo, but also a certain thriftiness, a minimalism that I think feels futuristic.
Behind the News
09:59 AM - May 18, 2010
Q & A: CJR Cover Artist Tomer Hanuka
We talk with the illustrator behind the May/June ‘10 cover image
Serial creators don’t know what will happen to Adnan Syed - New developments in his legal case suggest that the outcome is wide open
The press is responsible for ignoring Bill Cosby rape allegations - Where were journalists 10 years ago when claims originally surfaced against him?
Journalism has a plagiarism problem. But it’s not the one you’d expect - Fareed Zakaria’s case highlights news organizations’ ethical grey areas
4 topics John Oliver explained more clearly than television news - The political satirist brings explainer comedy to HBO viewers
Will radio save science journalism? - WNYC will soon have a new health unit
Email blasts from CJR writers and editors
“[T]here was little that justified CNN’s egocentric coverage”
“[I]n spite of all the good reasons not to use the phrase, it is still very easy to find in the US press, even in headlines”
“Right now, my immediate plan is to go to work as a lay therapist at The Intercept to bring the healing there so John Cook and Matt Taibbi can return. I have great interpersonal skills.”
“Like the US drone program itself, this deceitful media practice continues unabated”
Greg Marx discusses democracy and news with Tom Rosenstiel of the American Press Institute
Who Owns What
A report from the Columbia University Graduate School of Journalism
Questions and exercises for journalism students.