One of the most interesting sections of the Time interview, from a media perspective, is this, in which Assange details how his view of collaborating with mainstream media and less mainstream, smaller media, has evolved.
For the rise of social media, it’s quite interesting. When we first started, we thought we would have the analytical work done by bloggers and people who wrote Wikipedia articles and so on. And we thought that was a natural, given that we had lots of quality, important content. Surely it’s more interesting to write an article about top-secret Chinese [inaudible] or an internal document from Somalia or secret documents revealing what happened in [inaudible], all of which we published, than it is to simply write a blog about what’s on the front page of the New York Times, or about your cat or something. But actually it turns out that that is not at all true. The bulk of the heavy lifting—heavy analytical lifting—that is done with our materials is done by us, and is done by professional journalists we work with and by professional human-rights activists. It is not done by the broader community. However, once the initial lifting is done, once a story becomes a story, becomes a news article, then we start to see community involvement, which digs deeper and provides more perspective. So the social networks tend to be, for us, an amplifier of what we are doing. And also a supply of sources for us.
You can’t expect to get news-style articles out of people that are not funded after a career structure in the same way that news organizations are. You will get a different sort of form, and that form may be commentary, which sometimes is very good and sometimes there are very senior people providing commentary that is within their media experience, or we get sources who hand over material, because once again, within their media experience, it is an important issue to them. But what we don’t get from the [inaudible] community is people writing articles about an issue that they didn’t have an intimate involvement with in the first place. And of course, if you think about it, that’s natural—why would they be? The incentive’s not there. When people write political commentary on blogs or other social media, it is my experience that it is not—with some exceptions—their goal to expose the truth. Rather, it is their goal to position themselves among their peers on whatever the issue of the day is. The most effective, the most economical way to do that is simply to take the story that’s going around—it has already created a marketable audience for itself—and say whether they’re in favor of that interpretation or not.
From The Guardian:
On whether he would return to Australia:
I am an Australian citizen and I miss my country a great deal. However, during the last weeks the Australian prime minister, Julia Gillard, and the attorney general, Robert McClelland, have made it clear that not only is my return is impossible but that they are actively working to assist the United States government in its attacks on myself and our people. This brings into question what does it mean to be an Australian citizen—does that mean anything at all? Or are we all to be treated like David Hicks at the first possible opportunity merely so that Australian politicians and diplomats can be invited to the best US embassy cocktail parties.
On whether he is a “journalist”:
I coauthored my first nonfiction book by the time I was 25. I have been involved in nonfiction documentaries, newspapers, TV and internet since that time. However, it is not necessary to debate whether I am a journalist, or how our people mysteriously are alleged to cease to be journalists when they start writing for our organisaiton. Although I still write, research and investigate my role is primarily that of a publisher and editor-in-chief who organises and directs other journalists.
Something crop-circle enthusiasts have to look forward to:
it is worth noting that in yet-to-be-published parts of the cablegate archive there are indeed references to UFOs.
On WikiLeaks’s handling of redactions:
The cables we have released [sic] correspond to stories released by our main stream media partners and ourselves. They have been redacted by the journalists working on the stories, as these people must know the material well in order to write about it. The redactions are then reviewed by at least one other journalist or editor, and we review samples supplied by the other organisations to make sure the process is working.