At a 2006 Columbia Journalism School panel on “the crisis of boys,” economist Marcellus Andrews painted a picture similar to Simon’s: social forces that are too strong for individuals to push back against; a lack of skills and education that renders the underclass “redundant” as laborers; the only available jobs offering wages too low to support a family; schools providing an education too shoddy to enable the type of collective social mobility that could raise up a community; an illegitimate economy as the only solution for the underclass and an all-out war in response. “The ‘surplus male’ crisis shows up in the form of violence in streets,” Andrews said, and journalism fails to “show folks how they are pushed by unintentional forces.” He advised journalists to “give a sense of the hardness of this thing, a sense of the blood on the floor…so that when someone finishes reading the story they…will not succumb to simple-minded answers.” (At one point, I read a quote from Andrews to Simon—“the end of the American segregation system a half century ago put black people onto the blue-collar road to the middle class just when the on-ramp shut down”—and Simon perked up. “That’s it,” he said.)

Steve Luxenberg, who went on book leave from The Washington Post in February 2006 after ten years as the editor of the paper’s Outlook section, knows something about deep inner-city reporting: he hired David Simon in 1983, and he edited “Rosa Lee’s Story,” Leon Dash’s immersion-reporting classic in The Washington Post in 1994. Luxenberg’s three decades as an editor—especially the generation that has passed since Dash’s epic story on the intergenerational transmission of poverty—have not made him sanguine about that type of reporting getting any more column inches.

Luxenberg said that newsroom priorities go through cycles. For instance, after Watergate and CIA abuses came to light, he said, “we talked with too much chest pounding about the public’s ‘right to know.’ That’s not a phrase you hear a heck of lot in newsrooms these days. I’m not saying newsrooms are bankrupt morally, but poverty is just not a discussion they’re having right now. Now it’s self-preservation.”


It is a bit of a false dichotomy to portray Simon’s vision of capturing complexity and Marimow’s and Carroll’s record of effecting change as competing philosophies. Ideally we would do both. But in an era of “self-preservation,” it’s getting harder to do either.

The real Baltimore Sun—on Calvert Street, not a soundstage—insists it is still trying to do both. In the downstairs lobby, pictures of H. L. Mencken and Sun founder A. S. Abell hang high on a wall with accompanying quotes. Abell chides visitors about partiality and the “common good,” while Mencken muses wistfully on what a lark reporting can be: “It is really the life of kings.” On a visit in September to see Sun editor Tim Franklin, his assistant, Rosie, found me in the lobby and cheerfully accompanied me up to the Sun’s buzzing newsroom. Franklin has an endearing midwestern affability and projects confidence straight across the room. He insisted his paper can do “quality” work with fewer resources.

“I want people to look at the Sun in ten years,” he said, “and say it did capture that snapshot of that time in the city’s history, that it chronicled lives in inner-city neighborhoods, and told stories through the eyes of people living it.” Franklin would consider the Sun a success if that happens. Sun reporters such as Julie Bykowicz, Annie Linskey, Stephen Kiehl, and Gus Sentementes have done vivid street-level reporting. Fred Schulte and June Arney exposed a colonial-era ground rent law that was being used to take homes away from thousands of city homeowners. Eric Siegel captured the complexity of urban blight in a brilliant series called “A Neighborhood Abandoned.” An affecting narrative by reporter Liz Bowie and photojournalist Andre Chung followed two homeless teens through their entire senior year of high school and received a passionate reaction from all levels of Baltimore society. “Let me first start off by saying I don’t read the newspaper,” wrote a nineteen-year-old student to the Sun in an e-mail. “Reading this story…made me look at life different.”

But as dedicated as the Sun’s reporters are, walls are falling down around them. Since Tribune Company took over in 2000, the Sun’s newsroom staff has declined from approximately four hundred to three hundred. (The Poynter Institute estimates that 3,500 newsroom jobs have been cut across the country during that time.) The Sun’s local newshole has shrunk.

Lawrence Lanahan is formerly an analyst with American Institutes for Research in Washington, D.C. He lived in Baltimore for five years and is now a freelance journalist based in Brooklyn. The fifth season of The Wire premiered January 6, 2008 on HBO.