When My Friend Leonard, the follow-up to A Million Little Pieces, was released, I took a pass. Seven years and one reading of Metawritings later, it’s still not on my list.

There is one dud in this collection, and that’s Lena Dunham’s “Excerpts from Creative Nonfiction.” Written in screenplay form, it focuses on its writer’s thoughts and actions and the screenplay the writer is attempting to write (say that five times fast). Unfortunately, its lead character is just as uninteresting as the script with which she’s struggling.

In the script, a woman is held captive by a college professor. She then flees. He follows and pops up again and again like an unkillable movie villain. She shoots him. The end. It’s written with a wink and a nod, but it’s dull.

(But as Hemley and Talbot say in the question-and-answer section following Hemley’s essay, there’s no such a thing as an unexceptional subject, just unexceptional writing. Chalk this up to unexceptional writing and skip it.)

There are probably some readers out there who wonder whether these essays are just excuses for writers to eat their own tails and be praised for it. I certainly did. Ultimately, I was assuaged by the overall quality of the work within Metawriting’s pages. These are thoughtful, gripping pieces that deserve to be read, re-read and pondered until, hopefully, Talbot edits a follow-up anthology that’s just as good.

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David Riedel was managing editor of the New Haven Advocate. He's currently a Boston reporter and film critic. Follow him on Twitter @ThaRid.