The problem with traffic as the main measure of news video, though, is that great video stories that don’t attract big audiences are perceived to be failures. David Leeson, a Pulitzer Prize-winning photographer who began shooting video in 2000 for The Dallas Morning News, says publishers initially backed video “because they had visions of YouTube fame. But with 80,000 to 90,000 videos published every day, going viral is like winning the lottery. Good luck with that.” Leeson, who took a buyout in 2008, acknowledges that a thirty-second clip of an eighteen-wheeler that crashed and burned gets a lot of hits. But he argues that managers need to take their eyes off the number of streams and instead look at the larger, changing market for news. “Over time, people will recognize quality,” Leeson says. “People will know to go to your site for credible news and information. That’s how papers built circulation. You didn’t know if everyone read an inside story on page four of Metro, but we still covered it.”

Photographers and video journalists like Leeson are increasingly attracted to work for advocacy groups and corporations that see the value of powerful visual storytelling. With that exodus, serious journalism suffers. In journalism, “ultimately, video was viewed as window dressing, a fundamental misunderstanding of its potential,” says Tom Kennedy, a former managing editor for multimedia at, who stepped down in early 2009 to teach and consult.

Kennedy, who will begin teaching at Syracuse University this fall, recently authored a white paper on video journalism for Bill Gentile, an independent documentary filmmaker and journalist-in-residence at American University. Gentile has launched the “Backpack Journalism” project at the school, a program to teach people to act as one-man journalism bands on video stories: report, interview, shoot, edit, narrate, and upload their files for publication.

Kennedy and Gentile make a powerful argument for this as the storytelling of the future, but the white paper adds, “Backpack journalism may afford interesting future career opportunities, albeit perhaps most strongly in fields other than journalism.” Ugh.

On July 18, I did a Google search for video of “oil spill” and “BP.” I specified “high quality” in my query, but didn’t limit the length or narrow the date range. No videos from major news organizations appeared in the top ten returns. What did appear seemed random. Search is a real problem when it comes to quality news video.

My search’s top-ranked video was from a site called a silent, fifty-nine second montage of aerial images from an oil-slicked Gulf. Numbers two and four were entertaining, but not news: two was a Saturday Night Live skit via and four was a funny spoof of BP executives dealing with a coffee spill during a meeting, performed by Number three was an informative snippet from Al Jazeera’s English-language broadcast, with a host explaining an animated graphic of the engineering needed to cap the blown well. The other top ten picks included a couple of souped-up home videos, a couple of apocalyptic screeds, and an excerpt from ABC’s The View, with the hosts discussing BP’s apology.

Hoping for the best, I continued to search. Return number eleven was actually a pretty good video story, an excerpt from a show on the satellite and cable broadcaster G4, which targets eighteen- to thirty-four-year-olds with a steady diet of video game-oriented shows. Host Kevin Pereira takes you on his tour of the Gulf, and his co-host attempts to interest viewers with this unusual lead-in: “All right, so you remember that time you spilled a Pepsi on your PS3 and you thought it was the worst spill ever? It wasn’t.” As the segment ends, the viewer knows she’s not on CNN when the camera returns to the show set and pop-up boxes helpfully inform viewers where to buy the blue jeans Pereira is wearing and what hair products he used. Hmmm.

Searching Google News and specifying video did pull up stories from mainstream media organizations, but most were print stories that referred to BP’s well cam. Nowhere in that search, or in a YouTube search for “news BP Oil Spill,” did a video story I knew about turn up: AP’s unique Web video of journalist Rich Matthews’s June 7 scuba dive into the oily Gulf.

Jill Drew is a 2009-2010 Encore Fellow at CJR. She was an associate editor at The Washington Post until August 2009. For nine of her fourteen years at the newspaper, she was assistant managing editor for financial news.