<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">

    <title>CJR</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/" />
    <link rel="self" type="application/atom+xml" href="http://www.cjr.org/The Kicker-atom.xml" />
    <id>tag:www.cjr.org,2011-09-12://4</id>
    
    <updated>2012-05-25T00:56:12Z</updated>
    
    <subtitle>Columbia Journalism Review: Strong Press, Strong Democracy</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.34-en</generator>
    

<entry>
    <title>Darts and Laurels</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/darts_and_laurels/darts_and_laurels_mayjune2012.php" />
    <id>tag:www.cjr.org,2012://4.30232</id>

    <published>2012-05-25T10:50:00Z</published>
    <updated>2012-05-25T00:56:12Z</updated>

    <summary>Not going the distance</summary>
    <author>
        <name>The Editors</name>
        
    </author>
    
        <category term="Darts and Laurels" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
         Much ado&#133; On March 21, The Orange County Register published a blog post, based on the sworn affidavit of a process server, alleging that Julio Perez, a California state Assembly candidate, did not live where he said, or within the district he was running to represent. Reporter Brian Joseph packed his story with details and links to testimony. But
    </content>
</entry>

<entry>
    <title>Guiding Starr</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/the_research_report/guiding_starr.php" />
    <id>tag:www.cjr.org,2012://4.30252</id>

    <published>2012-05-24T15:35:00Z</published>
    <updated>2012-05-24T15:35:57Z</updated>

    <summary>Freedom of expression is not freedom of the press</summary>
    <author>
        <name>Michael Schudson and Katherine Fink</name>
        <uri>http://www.cjr.org</uri>
    </author>
    
        <category term="The Research Report" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        Paul Starr&#8217;s short essay, &#8220;An Unexpected Crisis: The News Media in Postindustrial Democracies&#8221; in the International Journal of Press/Politics (2012), is recommended reading, especially the second paragraph. That&#8217;s where Starr, the Princeton sociologist, Pulitzer-winning historian, and the author of the far-reaching Creation of the Media (2005), cuts through tons of clutter about the impact of the digital revolution on media
    </content>
</entry>

<entry>
    <title>A master&#8217;s missteps</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/review/a_masters_missteps.php" />
    <id>tag:www.cjr.org,2010://4.30248</id>

    <published>2012-05-23T10:50:00Z</published>
    <updated>2012-05-22T22:42:43Z</updated>

    <summary>Fixated on Kapuscinski&#8217;s flaws, a new biography misses the point </summary>
    <author>
        <name>Ted Conover</name>
        
    </author>
    
        <category term="Review" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        Celebrated for his reportage about world-changing events and leaders of his day&#8212;the Iranian Revolution, Che Guevara and the Cuban Revolution, Emperor Haile Selassie of Ethiopia&#8212;the Polish journalist Ryszard Kapuscinski has remained in the headlines since his death in 2007 largely due to questions about his veracity: How accurate was his reporting? How truthfully did he describe his own life? Were
    </content>
</entry>

<entry>
    <title>That&#8217;s that, part one</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/language_corner/thats_that_part_one.php" />
    <id>tag:www.cjr.org,2012://4.30468</id>

    <published>2012-05-22T10:50:00Z</published>
    <updated>2012-05-22T11:05:24Z</updated>

    <summary>A word used too often, or not enough</summary>
    <author>
        <name>Merrill Perlman</name>
        
    </author>
    
        <category term="Language Corner" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <category term="conjunctions" label="conjunctions" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="grammar" label="grammar" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="language" label="language" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="languagecorner" label="Language Corner" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="that" label="that" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="usage" label="usage" scheme="http://www.sixapart.com/ns/types#tag" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        &#8220;President Obama said Wednesday he would go to Europe.&#8221; Is Wednesday the day he is going to Europe? Or the day he announced his travel plans? A little word can make that sentence clearer: &#8220;that.&#8221; But its placement can make a difference, too: &#8220;President Obama said that on Wednesday he would go to Europe&#8221; means he is leaving for Europe
    </content>
</entry>

<entry>
    <title>The re-entry problem</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/review/the_re-entry_problem.php" />
    <id>tag:www.cjr.org,2012://4.30247</id>

    <published>2012-05-21T10:50:00Z</published>
    <updated>2012-05-20T21:01:42Z</updated>

    <summary>America&#8217;s tough-on-crime policies didn&#8217;t work. Now what? </summary>
    <author>
        <name>Alan Prendergast</name>
        
    </author>
    
        <category term="Review" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        Over the course of eight days in 1978, a 15-year-old terror named Willie Bosket managed to satisfy his curiosity about what it felt like to kill someone. He did this by purchasing a .22 handgun from his mother&#8217;s boyfriend, paid for with funds obtained from robbing sleeping passengers in New York City&#8217;s subway system, and shooting his next two robbery
    </content>
</entry>

<entry>
    <title>Title Search</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/currents/title_search_mayjune2012.php" />
    <id>tag:www.cjr.org,2012://4.30268</id>

    <published>2012-05-18T10:50:00Z</published>
    <updated>2012-05-17T19:16:28Z</updated>

    <summary>User Experience (UX) Designer</summary>
    <author>
        <name>Jay Woodruff</name>
        
    </author>
    
        <category term="Currents" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
         Susan Rits is a User Experience (UX) Designer who worked at Time Warner, Fox, and Google. She is founder and CEO of Zazum, based in San Francisco. Jay Woodruff interviewed her in March. Give us your Tweetable definition of a UX Designer. UX designers live to wipe out tech rage&#8212;we make using software a pleasure. How&#8217;d you get into
    </content>
</entry>

<entry>
    <title>Hard Numbers</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/currents/hard_numbers_mayjune2012.php" />
    <id>tag:www.cjr.org,2012://4.30261</id>

    <published>2012-05-17T10:50:00Z</published>
    <updated>2012-05-17T18:36:16Z</updated>

    <summary>Retracting &quot;Mr. Daisey and the Apple Factory&quot;</summary>
    <author>
        <name>The Editors</name>
        
    </author>
    
        <category term="Currents" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        888,000 downloads of &#8220;Mr. Daisey and the Apple Factory,&#8221; the January 6 This American Life episode based on Mike Daisey&#8217;s one-man play that chronicled his travels to the Foxconn factory in China where Apple products are manufactured 750,000 typical number of downloads for a TAL episode 73,000 Google searches for &#8220;Mike Daisey&#8221; in the week following the original TAL broadcast
    </content>
</entry>

<entry>
    <title>Logue jam</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/language_corner/logue_jam.php" />
    <id>tag:www.cjr.org,2012://4.30439</id>

    <published>2012-05-16T10:50:00Z</published>
    <updated>2012-05-16T04:21:32Z</updated>

    <summary>A catalog of dialogues</summary>
    <author>
        <name>Merrill Perlman</name>
        
    </author>
    
        <category term="Language Corner" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <category term="etymology" label="etymology" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="grammar" label="grammar" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="language" label="language" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="languagecorner" label="Language Corner" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="loguewords" label="logue words" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="usage" label="usage" scheme="http://www.sixapart.com/ns/types#tag" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        &#8220;Catalogue&#8221; can also be spelled &#8220;catalog.&#8221; &#8220;Dialogue&#8221; can also be spelled &#8220;dialog.&#8221; But &#8220;monologue&#8221; is rarely spelled &#8220;monolog.&#8221; The Americans are at it again. The combining form &#8220;logue&#8221; is French, descended from Latin, and it indicates an engagement of some sort, a discourse, if you will, between people or things. People browse &#8220;catalog(ue)s&#8221; to &#8220;discuss&#8221; what items to buy; a
    </content>
</entry>

<entry>
    <title>How I got that story</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/currents/how_i_got_that_story_mayjune2012.php" />
    <id>tag:www.cjr.org,2012://4.30271</id>

    <published>2012-05-16T10:50:00Z</published>
    <updated>2012-05-16T11:11:45Z</updated>

    <summary>RealRural</summary>
    <author>
        <name>The Editors</name>
        
    </author>
    
        <category term="Currents" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
         In March 2011, Lisa M. Hamilton, a writer and photographer, began a series of road trips around rural California. She had a grant from the Creative Work Fund&#8212;a San Francisco-based foundation that supports collaboration between artists and nonprofits&#8212;to tell stories that would help bridge the cultural divide between the rural and urban parts of the state. Initially she wanted
    </content>
</entry>

<entry>
    <title>The astroturf Cassandra</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/review/the_astroturf_cassandra.php" />
    <id>tag:www.cjr.org,2012://4.30249</id>

    <published>2012-05-15T10:50:00Z</published>
    <updated>2012-05-15T11:38:54Z</updated>

    <summary>Why hacks like Andrew Keen really fear the social Web</summary>
    <author>
        <name>Maureen Tkacik</name>
        
    </author>
    
        <category term="Review" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        Long before Facebook or Foursquare, men like the late management consultant Martin Jay Levitt were connoisseurs of social networks. At the beginning of each new gig Levitt would have a client&#8217;s human resources director create detailed diagrams mapping the relationships between all employees, accounting for gossip, date of hire and pay, even details of his sex life, if any were
    </content>
</entry>

<entry>
    <title>Postage due</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/feature/postage_due.php" />
    <id>tag:www.cjr.org,2012://4.30240</id>

    <published>2012-05-14T10:50:00Z</published>
    <updated>2012-05-13T23:15:39Z</updated>

    <summary>The USPS is running out of money. Where does that leave magazines?</summary>
    <author>
        <name>Lauren Kirchner</name>
        
    </author>
    
        <category term="Feature" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        Early on a February morning, in a glass-walled conference room high up in the Hearst Tower in Manhattan, Postmaster General Patrick Donahoe spoke in a careful, reassuring tone. &#8220;We can do this; I know that we can do this,&#8221; he told the audience, which included representatives from magazine-industry heavyweights like Condé Nast, Hearst, and Time Inc. &#8220;Hang in there with
    </content>
</entry>

<entry>
    <title>What&#8217;s in My...</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/currents/whats_in_my_mayjune2012.php" />
    <id>tag:www.cjr.org,2012://4.30256</id>

    <published>2012-05-11T10:50:00Z</published>
    <updated>2012-05-10T20:54:30Z</updated>

    <summary>Dean Takahashi from GamesBeat unpacks</summary>
    <author>
        <name>Tyler Orsburn</name>
        
    </author>
    
        <category term="Currents" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
         It&#8217;s fitting that veteran tech journalist Dean Takahashi, who grew up a self-described &#8220;arcade rat,&#8221; weaned on classics like Pong and Galaga, has become one of the country&#8217;s most prominent writers about the video game industry. He opened his &#8220;nice, big REI bag&#8221; for Tyler Orsburn to prove a bit of hard-earned journalistic wisdom: &#8220;You gotta have backups.&#8221; To
    </content>
</entry>

<entry>
    <title>Laboratory confidential</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/second_read/laboratory_confidential.php" />
    <id>tag:www.cjr.org,2012://4.30246</id>

    <published>2012-05-10T10:50:00Z</published>
    <updated>2012-05-09T21:04:50Z</updated>

    <summary>The Double Helix&#8217;s warts-and-all portrayal of scientific pursuits shook up the formal world of science writing</summary>
    <author>
        <name>Jonathan Weiner</name>
        
    </author>
    
        <category term="Second Read" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
         W hen The Double Helix appeared in the winter of 1968, I reviewed it for The Laureate, the literary magazine at Classical High School, in Providence, Rhode Island. I was a freshman. It was my first effort as a science writer, and now, after four decades, I feel lucky to have started there. The Double Helix: A Personal Account of
    </content>
</entry>

<entry>
    <title>No fun</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/language_corner/no_fun.php" />
    <id>tag:www.cjr.org,2012://4.30407</id>

    <published>2012-05-09T16:00:28Z</published>
    <updated>2012-05-09T16:09:57Z</updated>

    <summary>Noun? Verb? Yes. Adjective? Well ...</summary>
    <author>
        <name>Merrill Perlman</name>
        
    </author>
    
        <category term="Language Corner" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <category term="adjectives" label="adjectives" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="fun" label="fun" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="grammar" label="grammar" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="language" label="language" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="usage" label="usage" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="verbs" label="verbs" scheme="http://www.sixapart.com/ns/types#tag" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        The journalism professor was not having much &#8220;fun&#8221; explaining things to her feature-writing students: &#8220;I know so fun is wrong but I can&#8217;t tell them why,&#8221; she wrote. &#8220;So happy is right, but so fun should have &#8216;much&#8217; as the sandwich filling.&#8221; If you ask practically anybody under 35 whether &#8220;so fun&#8221; is acceptable English, you will probably be told
    </content>
</entry>

<entry>
    <title>Notes from our Online Readers</title>
    <link rel="alternate" type="text/html" href="http://www.cjr.org/letters_to_the_editor/notes_from_our_online_readers_mayjune2012.php" />
    <id>tag:www.cjr.org,2010://4.30259</id>

    <published>2012-05-09T11:00:00Z</published>
    <updated>2012-05-13T20:05:49Z</updated>

    <summary>Readers weigh in on Ron Howell&apos;s &quot;The New York Times Goes to the Dogs&quot;</summary>
    <author>
        <name>The Editors</name>
        
    </author>
    
        <category term="Letters to the Editor" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    
    
    <content type="html" xml:lang="en" xml:base="http://www.cjr.org/">
        In a March piece, Ron Howell wrote about the increase in stories about dogs in The New York Times since Jill Abramson, author of The Puppy Diaries, became executive editor. Here are some of the comments: I think you&#8217;ll find that it&#8217;s not just the NYT that&#8217;s become obsessed with dog stories. Media all over the country have recently decided
    </content>
</entry>

</feed>

