Wednesday, September 03, 2014. Last Update: Tue 3:20 PM EST

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Summer Movie Club

Absence of Malice (1981)

When bad journalism kills

When I was a student in journalism school, in the beginning of my first semester, one of the professors of... More

Ace in the Hole (1951)

What a sixty-year-old noir can tell us about the Murdoch hacking scandal

I’ve got Murdoch on the brain, but I couldn’t help thinking about the News of the World scandal while watching... More

Almost Famous (2000)

Who’s afraid of Rolling Stone?

Beware, beware, Rolling Stone magazine... Music, inarguably, is the hero, the emotional engine in Almost Famous, the Cameron Crowe-written, -directed... More

Call Northside 777 (1948)

Real journalism is too boring for the movies

In an early scene of the 1948 film Call Northside 777, Jimmy Stewart, who plays a reporter at the Chicago... More

Fletch (1985)

Getting the story, one quip at a time

Irwin Fletcher, Fletch to his friends, is an investigative reporter for a Los Angeles newspaper. He writes his columns under... More

Good Night, and Good Luck (2005)

What happened to TV news?

The marketing team behind Good Night, and Good Luck (2005), a biopic of Edward R. Murrow set largely amid the... More

Newsies (1992)

“Headlines don’t sell papes; newsies sell papes”

Before Christian Bale became Batman, he was Jack Kelly, a newspaper boy with a dream in his heart and calluses... More

Superman

The Man of Steel has better things to do than be a reporter

When watching Superman (1978), I was reminded of the David Carradine rant from the end of Kill Bill: Vol. 2,... More

The Big Clock (1948)

A murderous publisher’s corporate noir

The Big Clock begins, as all stories about a desperate journalist ought to, with a drunken night. Charles Stroud, a... More

The Devil Wears Prada

The first entry in CJR’s summer movie club

The Devil Wears Prada is a film that exists two beats apart from reality. At least. Based on the book... More

The Parallax View (1974)

(Sometimes) Good Guys Finish Last: Pakula’s sober counterpoint to All The President’s Men

It’s the Fourth of July in Seattle. We’re on the scene with Lee Carter, a young television reporter, who is... More

The Year of Living Dangerously (1982)

A group of hollow career fetishists and a moralizing dwarf

At the 1983 Academy Awards, a four-foot-nine dynamo of a New York stage actress named Linda Hunt took home the... More

Your Summer Movie Picks

Journalism-themed films recommended by CJR’s readers

Through these difficult times for journalism we could all use a little inspiration and a little fun. How about a... More

Q&A: An Apple critic with plenty to say - John Siracusa’s legendary - and lengthy - Apple reviews reach their 15th year

Why one editor won’t run any more op-eds by the Heritage Foundation’s top economist - A reply to Paul Krugman on state taxes and job growth made some incorrect claims

4 topics John Oliver explained more clearly than television news - The political satirist brings explainer comedy to HBO viewers

Michael Brown shooting and the crimes journalists choose as newsworthy - Examining why black suspects are covered at a greater proportion than they commit crimes

GOP-backed fake news sites target Dems in congressional races - - Unlike The Onion and other satire sites, the goal is to fool voters, not make them laugh


New WaPo publisher (WaPo)

The departure of Katharine Weymouth ends eight decades of Graham family leadership

The impact of watching executions (PSmag)

“[E]xecutions, even for people who support capital punishment, and even when the criminals being put to death evoke little personal sympathy because of the nature of their crimes, take a toll on witnesses”

Times of India demands employee social media passwords (Quartz)

The company will possess log-in information and will be free to post any material to the account without journalists’ knowledge

Reconnecting with a story source, 17 years later (Hartford Courant)

“People who say reporters exploit people? You are right, we do. We parachute into people’s lives, sidle up, convince them that we care — and then disengage when the story is over. But that doesn’t mean we don’t connect, in a genuine way.”

Bloggingheads

Greg Marx discusses democracy and news with Tom Rosenstiel of the American Press Institute

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