But at what cost? We’re certainly not in a golden age of trust in the media, after all. While many in the British public may accept their press outlets’ decision to agree to the embargo, news of the blackout erodes that trust—slightly, perhaps, but still significantly. The media may love a good redemption story, but it’s a problem when they become not only the narrators, but also the facilitators, of that redemption. And it’s an even bigger problem if the salvation they’re seeking is, finally, their own.