The real Nikki Finke (@NikkiFinke) is the founder and editor in chief of Deadline Hollywood, a website that has become, in its six years of existence, one of the best sites for breaking news on the entertainment industry.

The fake Nikki Finke (@NIKKlFINKE) has 15 cats (Secretary McWhiskers, Deputy Chief Paws McSnuggles, Meow Zedong, and 12 more yet to be named), hasn’t had sex since 1979, thinks the best way to “communicate emphatically” is to send dozens of emails, and is in love with Paramount president Brad Grey.

The real Nikki Finke does not concern herself with fake Twitter accounts, unless people mistake them for her.

For one thing, the real Finke does not tweet about her personal life. Past profiles have depicted her as reclusive and private. Gawker offered a $1,000 bounty for a recent photo of Finke; in three years, it has yet to be claimed, leaving the world with only a black-and-white headshot Gawker aptly described as an “audition photo for the role of the evil headmistress in a 1940s film.” Finke has also been portrayed as a litigious, vengeful bully whose vitriolic articles strike fear into the hearts of those in the industry. Agents, publicists, and studio executives bow at her altar, leaving exclusive scoops as offerings. And so, more often than not, Finke gets and breaks the news first.

But now some are standing up to Finke. First there was this article in the New York Observer that claimed Finke threatened to sue author Bret Easton Ellis (giving his agent’s assistant an “epic, otherworldly screaming-at”), apparently because he tweeted that he lived in the same building as she does.

Then producer Gavin Polone published a column on New York magazine’s Vulture site that affirmed her perceived power in the industry while also questioning it. Her exclusive scoops, he wrote, are immediately aggregated and re-reported by the other trade publications. And he used comScore statistics to show that Deadline’s monthly unique visitor count isn’t much larger than her competitors, and is much smaller than that of The Hollywood Reporter. Polone then dared Finke to quash the TV and film projects he has in the works with various studios to demonstrate how much, if any, power she actually has.

And in the middle of this, there was the mass shooting in Aurora during a screening of The Dark Knight Rises, to which Finke responded with a comment (since removed) that the crime could affect the movie’s opening weekend box office results. As Mediabistro reported, this perceived insensitivity prompted an anti-Finke outcry among some journalists.

Enter the Fake Finke. He says (in a Gchat) that he is an “unnamed man in Los Angeles” who is not a fan of the real Finke, nor of her journalism. He started the account on July 21, on the heels of the Aurora shootings.

The parody account’s handle switches out the second I in Nikki with a lowercase L—a change that is almost impossible to notice in Twitter’s typography—and uses the last known photo of Finke as its icon. Though both the handle and name on the account approximate Nikki Finke, the bio makes it clear that the account is a parody. “I was really curious how long it would take Finke to go ballistic and threaten me with legal action,” he says. “I thought that would happen within six or seven hours, but somehow it has not happened.” He says he plans to stay anonymous to avoid “the wrath of Nikki.”

Many of the account’s 842 followers are the real Finke’s industry peers, such as Vulture’s Josh Wolk, Bloomberg Businessweek’s Brad Stone, several staffers at Variety and The Hollywood Reporter, and The New York Times’s Brian Stelter. The Fake Finke says he was not surprised by the caliber of his followers. “I think that’s really the only audience this account appeals to,” he said, adding: “I am, however, surprised by the people who don’t realize it is a parody account - I think David Carr retweeted something of mine without realizing that it didn’t actually come from Nikki Finke.”

Sara Morrison is a former assistant editor at CJR. Follow her on Twitter @saramorrison.