Before moving to New York in August 2006, I met with fellow journalists and writers in New Delhi. The conversations always veered to an irritatingly familiar topic: Where is the space in Indian journalism for serious, detailed reportage? It is a bizarre conversation in light of the tremendous expansion of media in India. The economic liberalization in the early 1990s produced scores of nonstop television news operations and a number of new newspapers and magazines. Marie Claire now has an India edition; Time Out Mumbai and Time Out Delhi, even Scientific American India are all new additions to the country’s newsstands. In 2005, Random House launched its India operation. Foreign Affairs, Time, and The Economist have all recently published cover stories on the ”rise of India.”The opinion pages of leading Indian newspapers talk about the twenty-first century being the Indian century, about imminent superpower status.

But as in the U.S. and elsewhere, an expanding media market is no guarantee that it will be filled with the best journalism. Young television anchors and reporters breaking news to millions of Indian viewers in their faux American accents try hard to ape Fox News and cnn. Pamela Anderson’s silicone implants, Paris Hilton’s escapades, and sexiest-people lists are mainstays in the daily fashion and entertainment supplements of the leading English-language newspapers. Last year in a town near Delhi, a child fell into a well and soldiers from a nearby army base came to rescue him. TV news broadcast the drama live for two days, hyping what their marketing folks tagged the ”Prince of Life.”The story was on the front page of most newspapers.

Meanwhile, there is another side of the ”rise of India.”It is a darker side, brimming with complicated stories that demand detailed reporting and space–in print or on air–to be told...

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