No half-measures, either. No TimesSelect program that charges for a handful of items and offers the rest for free, no limited availability of certain teaser articles, no bartering with aggregators for a few more crumbs of revenue through microbilling or pennies-on-the-dollar fees. Either you believe that what The New York Times and The Washington Post bring to the table every day has value, or you don’t.

You must both also individually inform the wire-service consortiums that unless they limit membership to publications, online or off, that provide content only through paid subscriptions, you intend to withdraw immediately from those consortiums. Then, for good measure, you might each make a voluntary donation—let’s say $10 million—to a newspaper trade group to establish a legal fund to pursue violations of copyright, either by online aggregators or large-scale blogs, much in the way other industries based on intellectual property have fought to preserve their products.

And when the Justice Department lawyers arrive, briefcases in hand, to ask why America’s two national newspapers did these things in concert—resulting in a sea change within newspapering as one regional newspaper after another followed suit in pursuit of fresh, lifesaving revenue—you can answer directly: We never talked. Not a word. We read some rant in the Columbia Journalism Review that made the paywall argument. Blame the messenger.

Truth is, a halting movement toward the creation of an online subscription model already exists; at this writing, internal discussions at both the Times and The Post are ongoing, according to sources at both papers. And one small, furtive, and cautious meeting of newspaper executives took place in Chicago in May to explore the general idea of charging for online distribution of news. As for Rupert Murdoch, his rethought decision not to freely offer The Wall Street Journal online speaks volumes, as do his recent trial balloons about considering an online subscription model for less unique publications. Where the Times and The Post lead, Murdoch and, ultimately, every desperate and starving newspaper chain will simply follow. Why? Because the need to create a new revenue stream from the twenty-first century’s information-delivery model is, belatedly, apparent to many in the industry. But no one can act if the Times and The Post do not; the unique content of even a functional regional newspaper—state and municipal news, local sports and culture—is insufficient to demand that readers pay online. But add to that the national and international coverage from the national papers that would no longer be available on the Internet for free but could be provided through participation in the news services of the Times and The Post and, finally, there is a mix of journalism that justifies a subscription fee.

Time is the enemy, however, and the wariness and caution with which the Times and The Post approach the issue reveal not only how slow industry leaders have been to accurately assess the realities, but how vulnerable one national newspaper is to the other. Should the Times go behind a pay curtain while the Post remains free, or vice versa, the result would be a short-term but real benefit to the newspaper that fails to act, and fiscal bleeding for the newspaper attempting to demand recompense for work that is elsewhere being provided free of charge. Neither the Times nor the Post can do this alone.

Will it work? Is there enough demand for old-line, high-end journalism in the age of new media? Will readers pay for what they have already accepted as free? And can industry leaders claw their way back in time to the fateful point when they mistook the Internet as a mere advertising opportunity for their product?

Perhaps, though the risks are not spread equally. Given the savage cutting that has been under way at regional, chain-owned newspapers over the last decade or more, it may be too late for some metro dailies; they may no longer have enough legitimate, unique content to compel their readership to pay. But for the Times and The Post—entities that are still providing the lion’s share of journalism’s national, international, and cultural relevance—their reach has never been greater.

David Simon is a writer, author, and television producer. He is the creator of HBO's The Wire and the New Orleans-based Treme. From 1982 to 1995, he was a reporter at The Baltimore Sun.