In the fall of 1978, I was racing through Kent State University’s campus bookstore when a thin book, propped in a section where it didn’t belong, stopped me in my tracks. The cover was the color of a brown paper bag, with a one-word title in headline type at the top: Dispatches. A single blurb, by John le CarrĂ©, appeared beneath the title: “The best book I have ever read on men and war in our time.”
In our time. It had to be about Vietnam. I looked at the bottom for the author’s name: Michael Herr. Never heard of him. I turned to the first chapter, called “Breathing In,” and started to read its italicized beginning:
There was a map of Vietnam on the wall of my apartment in Saigon and some nights, coming back late to the city, I’d lie out on my bed and look at it, too tired to do anything more than just get my boots off. That map was a marvel, especially now that it wasn’t real anymore.
I deposited my notebooks on the floor, let my purse slide off my shoulder to join them.
If dead ground could come back and haunt you the way dead people do, they’d have been able to mark my map current and burn the ones they’d been using since ’64, but count on it, nothing like that was going to happen. It was late ’67 now, even the most detailed maps didn’t reveal much anymore; reading them was like trying to read the faces of the Vietnamese, and that was like trying to read the wind. We knew that the uses of most information were flexible, different pieces of ground told different stories to different people. We also knew that for years now there had been no country here but the war.
I don’t remember how much I read before I bought Dispatches. Fellow asthmatics will likely understand why, more than thirty years later, I can still easily remember shorter and shorter breaths, working myself up to a low-grade wheeze by the time I came to the non-italicized text on the fourth page: “A couple of rounds fired off in the dark a kilometer away and the Elephant would be there kneeling on my chest, sending me down into my boots for a breath.”
The image of that elephant forces a palm to my chest even now, reminding me to breathe. Perhaps that is where I stopped reading in 1978, and decided to take the book home, where I wouldn’t be surrounded by strangers.
Issues that push and pull at us in equal measure are the ones most likely to haunt us. Vietnam was, and is, one of those ghosts for me—because of my roots, not my politics. Ohio, where I grew up, ranked fifth in the number of war casualties in Vietnam. Twenty-six of the servicemen who died came from my home county of Ashtabula, which was full of farmers who hoped to hand off the land to their sons, and working-class boys hoping to graduate from high school and follow their dads into factories that produced rubber, steel, and automobiles. But hope took a holiday in neighborhoods like ours during the war. By the late 1960s, it seemed you couldn’t drive three blocks in any direction without passing the house of a boy who had gone to Vietnam. Neighbors would take over potluck and beer the night before these boys boarded the first flights of their lives. They left full of brag and bravado, but so many of them came home spent, and eerily old.
As the war progressed, our small town shifted incrementally, like a ship that slowly starts to tilt with an uneven load. First, we knew one boy who left. Then we knew another. Soon, Mom was writing notes to other mothers every week, it seemed, filling them with words of encouragement or sympathy in her careful backhand script. I was in the middle phase of a child’s life—too young to know everything, too old to know nothing at all. I would be sitting in school with twenty other fifth-graders, and suddenly a classmate would be called into the hall. The assumption was always that another family had gotten bad news from the war.
One time it was our family, but after a really bad scare, the news was good. My cousin Norman was in Vietnam, and for some reason, Mom knew there was a chance that he had been shot. I still remember the call that came two days later. I was sitting on the sofa when the phone rang and my mother rushed to answer. She listened for a few moments, and started to cry. “He’s alive!” she yelled, “He’s alive.” She later said his air mattress had been shot out from under him. I pictured him lying on one of those colorful rafts swimmers used on Lake Erie, and thought Vietnam must be one crazy place.
More than 2 million Americans served in Vietnam. Ohio lost 3,094 of them. The rest of our boys came home, but the ship never righted. Guys I’d known my entire life weren’t fun, or funny, anymore. No more teasing, no big brother reprimands to get out of the street and quit picking on the little ones. Sometimes I’d look at my friends’ older brothers sitting on their front porches and their stares would scare me. I’d look in their eyes and get goose bumps. It was as if they thought I was trying to start a fight just by smiling at them. I’d scamper off, full of questions my father warned me never to ask.



Phenomenal article.
#1 Posted by Aaron B., CJR on Thu 9 Sep 2010 at 05:22 PM
Wonderfully said~
#2 Posted by esin, CJR on Mon 20 Sep 2010 at 02:39 PM
I really appreciate your involving class and education in thinking about who was subjected to the most immediate effects of the war. And that certainly seems to be important in terms of getting a handle on what was going on at the time. I wonder if the fact that the draft was in effect heightens the divide; if our all-volunteer military of today doesn't effectively conceal rather than correct some of the same cultural divisions. At any rate, thank you for a really good article.
#3 Posted by thomas, CJR on Mon 20 Sep 2010 at 08:04 PM
[...] 'Guys I'd known my entire life weren't fun, or funny, anymore.' [...]
www.berfrois.com
#4 Posted by Berfrois, CJR on Fri 24 Sep 2010 at 03:38 PM
In tears over that book, and the guys... again
#5 Posted by Dave from Austin, CJR on Fri 8 Oct 2010 at 12:48 AM