The downward spiral of Jonah Lehrer’s career over the last month has shocked his peers and instilled in them a visceral need to understand. Following the revelations of self-plagiarism, outright fabrication, and lying to cover his tracks, we were bewildered. How could such a seemingly talented journalist, and only 31 years old, have thrown it all away?
One theory, proffered by Salon’s Roxane Gay, is that “there is a cult of bright young things, a cultural obsession with genius, a need to find beacons of greatness in an ordinary world.” According to her piece:
Lehrer’s success and this current humiliation, how far he had to fall, is a symptom of a much bigger problem, one that is systemic, one that continues to consistently elevate certain kinds of men simply for being a certain kind of man. Jonah Lehrer fits the narrative we want about a boy genius. He is young, attractive and well educated. He can write a good sentence. He can parse complicated science for the masses and make us feel smarter for finally being able to understand the complexities of the human mind. He is the great white hope.
Gay is absolutely correct about our fixation with bright young things. It’s an obsession that places enormous pressure on aspiring writers. The thing is, most journalists don’t do what Lehrer did despite the twisted system in which they work, and there are problems with the way that Gay applies the bright-young-things hypothesis to Lehrer. First, she wants to add white and male to the equation, and while she’s right that there is still too much gender and racial bias in this industry, I have five words for her: Janet Cooke. Black. Female. Fraud.
Another problem with the hypothesis is its simplicity. Yes, there is a cultural obsession with genius (preferably young, though not necessarily so) and a need to find beacons of greatness in an ordinary world, which sometimes begets the emergence of false idols. But there is genuine virtuosity out there, too, and there’s a reason that we’re attuned to it and hold it aloft once found: Talent is inspiring—usually in a good way.
The question is, when a supposed-genius like Lehrer steps over the line, is he trying to live up to society’s expectations or his own? In a interview on NPR’s Talk of the Nation on Tuesday, Jayson Blair, the New York Times reporter busted for fabrication in 2003, suggested that it is both, but a few moments later, he leaned toward personal hang-ups, telling host Neil Conan:
I think in my particular case, it’s an example—although you see the same thing in the Janet Cooke story when you burrow into it, and you see the same thing with the Stephen Glass case. You’ve got a bunch of individuals all in this case who feel like they can’t live up to the expectations that they have for themselves.
And I think in some respects—you know, and this is a humbling idea—that maybe our place, for all three of us, was never to be at the top in terms of stardom, that we were meant to sort of be in the middle of the road. And if we had kept to those realistic explanations, or expectations, we would have been in a better place.
Now, one could argue that society pushes individuals to make its expectations their own. Gay wasn’t the only one who blamed the general public for creating a monster. Ta-Nehisi Coates, a senior editor at The Atlantic, had this to say:
[W]e now live in a world where counterintuitive bullshitting is valorized, where the pose of argument is more important than the actual pursuit of truth, where clever answers take precedence over profound questions. We have no patience for mystery. We want the deciphering of gods. We want oracles. And we want them right now.