This Tuesday, American voters will face an unprecedented day of primary voting. More than 20 states—and American Samoa—will hold caucuses or primaries. Major news organizations are preparing for a very long night, with results pouring in from American Samoa to Alaska. Delegate victories are likely to be determined by previously obscure party rules and thin margins in individual congressional districts.
And no news organization is larger than The Associated Press. Their data and decisions will set the pace for everyone else’s coverage. We asked Senior Managing Editor Mike Silverman how the AP plans to keep on top of Tuesday’s challenge.
Clint Hendler: What’s different this time?
Mike Silverman: Last time, it was nothing like this; you have 24 states, all voting at the same time, and so early. It’s taken on the air of a national election, and our planning for it is on the same scale as the November general election. We’ll have similar numbers of people involved.
Our Washington bureau is our headquarters for our presidential election coverage. I just talked to Sandy Johnson, our bureau chief there. She’s going to have about 40 people that day and night working on the election. I asked her how many would she have in November. She said about 50. So it’s on that scale.
CH: Maybe this is an impossible question, but do you know how many people will be involved in the AP’s coverage?
MS: Well, in the Washington Bureau alone there will be 40 or so, as far as editors an reporters in New York, we’ll have about a dozen, because we’ll be looking at some stories from some of the individual states—although our main focus will be on the over-all national picture, and that will be done out of Washington. And in every state where there is a primary there will be half dozen or more AP staffers involved in some way, from the bureau chiefs who are working with our Washington people to call the races, to somebody who will be writing a story on the exit poll results that we get from the particular states, to political reporters who will be writing about the outcome of the races. That’s just AP staff. Then we have literally hundreds of stringers who will be fanning out around the country getting vote counts, and then a smaller, but still large, number of vote entry people who will be taking their phone calls. So it’s quite an operation.
CH: The AP is a client-based organization; the networks rely on you, a lot of papers rely on you. What do they need, exactly?
MS: Some newspapers can buy the exit poll material, but they’re not intimately involved in the consortium, so many of them will be relying on us for the exit poll analysis as well. They have to pay a substantial amount of money to subscribe to the exit polls, and many of them are happy to rely on AP to describe the main points.
CH: And what are you expecting that the networks—which is how most people will be getting this news—will want?
MS: The networks don’t rely on us for the exit polls, because they are equal partners in the consortium. But they rely on us to quickly and accurately report the vote returns as they come in from various states. There is no official apparatus in the government that does that. Each state will eventually release a vote count, but everybody wants to know as soon as the polls close—for instance, in Florida on Tuesday night. Everyone wanted to know how many votes was McCain getting, how many votes was Romney getting. AP answers that question.
We have stringers who go to every county, even on the precinct level in some places, and as soon as votes are posted—partial returns and then later—they call in to an AP vote entry clerk, and the vote tallies are kept running in our computer system, and made available to our clients and customers to see as they’re reported. So we do as close to a real-time running count of the actual returns as is humanly possible. Now, you multiply that by 24, this Tuesday, and we’ll have hundreds of people in various data centers across the country—from Spokane to New York City, and the DUMBO center that we have near the Manhattan Bridge. And we have numerous systems experts who oversee the operations to see that there aren’t problems, and, if there are, to address them.
The networks do not try to independently collect the votes—it would be a huge, huge waste of resources and duplication. That’s the first and foremost thing that everyone relies on us for: a quick, running tally of the raw vote as it’s coming in.
Beyond that, our call, when we make it, will be something that the networks are looking for. I don’t know if you are a cable news addict, but
CH: …usually you guys call first.
MS: Well, not always. If we do it, we feel a competitive pride when we’re sure we’re right and able to do it, and then it’s always fun to see others react and match us. But there have been times when, for whatever reason, we’ve felt we needed a little more time—and we’ll take it. So we’re not afraid to get beat, either. If there’s any question in our minds, we’d rather get beat than be wrong.
CH: When you make that call, is there actually a statistical confidence interval that something has to edge over, or is it more that you look at everything in the stew and you know it when you see it?


FOR IMMEDIATE RELEASE 11/17/08
Jamaican Opera Singer Desmond Moulton Performs Mahler, Ravel and Finzi.
Desmond Moulton presents a concert on Sunday December 14, 2008 at 5:00 pm in Levenson Recital Hall, Gershwin Building at the Conservatory of Music at Brooklyn College, 2900 Bedford Avenue, Brooklyn, NY 11226 in Midwood (2 or 5 Train to Flatbush Avenue, Brooklyn College, B41, B6, M103 to Flatbush/Nostrand Avenue Junction.
Desmond Moulton has been performing internationally as a Soloist with various choirs such as the Kingston College Chapel Choir, the National Chorale of Jamaica, the Combined College Choir & Chamber Singers of the SUNY College at Fredonia, the Nashville Symphony Chorus and the Brooklyn College Chamber Choir performing the role of bass soloist in works such as Bernstein’s Chichester Psalms, Dvorak’s Stabat Mater, Mozart’s Regina Coeli, and Coronation Mass, Beethoven’s Christ on the Mount of Olives, Dubois’ Seven Last Words of Christ, Haydn’s Paukenmesse and the Seasons, Bach’s Sleepers’ Wake and Britten’s Rejoice in the Lamb.
He has also performed with the Opera Workshop at the Conservatory of Music at Brooklyn College, the Jamaica Festival Opera, and the Jamaica Musical Theatre Company roles such as Johann in Massenet’s Werther and the Tree in Massenet’s L’Enfant Sortilege, Sporting Life in Gershwin’s Porgy & Bess, and Melchior in Menotti’s Amahl and the Night Visitors.
He holds a Diploma (with distinction) in Singing from the Associated Board of the Royal Schools of Music, U.K. and has studied singing with Russian-trained Bass-Baritone Dr. Curtis Watson and with Professor Daniel Ihasz at the SUNY College at Fredonia. He graduates at the end of this semester as a student of Professor Richard Barrett in the Master of Music (Vocal Performance) program at the Conservatory of Music at Brooklyn College.
This concert is his Graduate Recital in which he will perform Gustav Mahler’s Kindertotenlieder, Maurice Ravel’s Don Quichotte a Dulcinee and Gerald Finzi’s Let Us Garlands Bring. There is no admission charge. For further information email desmond@valumuzik.com or call (646) 361-5854 or Tel/Fax: (347) 240-1478.
A Photo is attached for your convenience.
Posted by Desmond Moulton on Fri 12 Dec 2008 at 02:04 PM