Cover Story

What journalists miss about the movie business

What it’s like to be embedded—on a movie set

Set the Wayback Machine to April 9, 1984. The stars are filing into the Dorothy Chandler Pavilion in Los Angeles for the 56th Academy Awards . . .

Why toil as an entry-level slave when you can watch a lot of TV, write it up, build a following—and perhaps even get paid?

By tracking its users’ intent to watch fall shows, TVGuide.com handicaps the new TV season

Just in time for Hollywood awards season, CJR shines a Klieg light on entertainment journalism—a sometimes deprecated but highly influential corner of the craft.

How the most endangered journalism species — the newspaper — might prevent extinction

The once-mighty triangle of publisher-audience-advertiser, long the basis for success in the media business, is now shaky. So let’s consider transformation …

The traditional banner ad isn’t dead; it just transforms to fit the latest digital fashions — and the demands (lots of demands) from marketers

In Tulsa, This Land Press is defying news-startup orthodoxy and betting that its community will pay for quality journalism — not eventually, but right now

Let’s compare three well-funded local news startups – with very distinct fates

What is the atomic unit of journalistic storytelling?

A crime-news website tells the story of every DC homicide

It’s time to embrace the growing influence of real-time data on the media business

For better and worse, the Sacramento Press lets the readers write the news